![]() “ was a very restrictive regime,” he told author Everett True, in Hey Ho Let’s Go: The Story of the Ramones. His family moved to Brooklyn in the mid-1950s – an eventful moment to arrive in the promised land. He was born as Tamás Erdélyi (later Anglicized into Thomas Erdelyi) in Budapest, Hungary, in January 1949. ![]() Punk rock comes from angry kids who feel like being creative.”ĭrummer Tommy Ramone – who was the catalyst in pulling the band together and in molding its musical aesthetic – largely kept his backstory and hurt to himself. “People who join a band like the Ramones don’t come from stable backgrounds,” wrote Dee Dee, “because it’s not that civilized an art form. More important, most of the original Ramones had some sort of experience of living under dominance – sometimes disconcerting, even frightful – or simply an ineradicable sense of being the wrong person in the wrong place. The Ramones were a few years younger than their 1950s and 1960s heroes – Presley, the Beatles, the Rolling Stones – which allowed them a broader field of musical references to draw from: bubblegum pop, early heavy metal, surf music. The Ramones didn’t share bloodlines, but they did have the important common background of coming of age in suburbia – in Forest Hills, Queens, a predominantly Jewish middle-class stronghold that bred ennui and restively ness among its nonconformist youth. The Ramones were a band that changed the world, and then died. But all four original members are gone none of them can take pleasure in the belated prestige. They’re revered now – there are statues and streets and museums that honor them – and we see people wearing their T-shirts, with their blackened presidential seal, everywhere. They continued for years across indifference and impediments, but the rift between the two leading members only worsened. The Ramones never had a true hit single or album, though at heart they wrote supremely melodic music. Others saw them as a joke that had run its course. Much of the music world rejected them, sometimes vehemently. The Ramones made a model that almost anybody could grab hold of: basic chords, pugnacity and a noise that could lay waste to – or awaken – anything.īut they paid a heavy cost for their achievement. The Ramones likely inspired more bands than anybody since the Beatles the Sex Pistols, the Clash, Nirvana, Metallica, the Misfits, Green Day and countless others have owed much of their sound and creed to what the band made possible. ![]() It was a bitter reality for a group that, if it didn’t invent punk, certainly codified it effectively – its stance, sound and attitude, its rebellion and rejection of popular music conventions – just as Elvis Presley had done with early rock & roll. ![]() Two of the members, Johnny and Joey, didn’t speak to each other for most of the band’s 22-year history. They would climb into their van and ride to a hotel or their next show in silence. When they left the stage, that fellowship fell away. There was a pleasure and spirit, a palpable commonality, in what The Ramones were doing onstage together. Between them stood lead singer Joey Ramone – gangly, with dark glasses and a hair mess that fell over his eyes, protecting him from a world that had too often been unkind – proclaiming the band’s hilarious, disturbing tales of misplacement and heartbreak. Johnny and Dee Dee played with legs astride, looking unconquerable. Guitarist Johnny Ramone and drummer Tommy Ramone would slam into breakneck unison with a power that could make audience members lean back, as if they’d been slammed in the chest. They often didn’t stop between songs, not even as bassist Dee Dee Ramone barked out the mad “1-2-3- 4” time signature that dictated the tempo for their next number. They seemed to think the same thoughts and breathe the same energy. The four men dressed the same –in leather motorcycle jackets, weathered jeans, sneakers – had the same dark hair color, shared the same last name. Onstage, they were the personification of unity – even family. ![]()
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